WAUGH IN
ABYSSINIA
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| Reviewed by G. Marudhan |
Jeff Pearce is a freelance journalist and writer based in London who has worked for magazines, radio and television. He has won two awards for his fiction, and his short story, "Trenches of Light," is archived in Dark Planet. He is currently completing a novel on the Italian invasion of Ethiopia, Black Shirts, Black Lions, and is at work on a nonfiction book on the subject.
Despite our age's so-called enlightened
attitudes on race, despite Live-Aid and Nelson Mandela, publishers still
reprint a nasty little volume that causes mischief with historical memory.
While Evelyn Waugh's stylistic brilliance is acknowledged today for such
novels as Brideshead Revisited, he also churned out racist satires
and "reportage" on Ethiopia in the 1930s. He did his worst damage in
Waugh in Abyssinia, a book that inexplicably is still reprinted by
publishers often with no introduction that puts the work in historical
context.
In the 1930s, Ethiopia fascinated many as an independent country
that had fended off all the colonial powers. Abyssinia is actually a Latin
corruption of a Muslim pejorative label, "Habasha", one the Ethiopians
don't use. A battle at Adwa in 1896 sent Italians scurrying back to Rome
and prompted a crisis that toppled a prime minister. It is still
celebrated in Ethiopia today. The dominating Amharic people, who in 1935
didn't consider themselves black, had succeeded in getting the West to
respect Ethiopia as a unique country apart from the rest of Africa.
Ethiopia had joined the League of Nations. Emperor Haile Selassie was
trying to modernize his country when Mussolini decided it was time for
payback and that Italy was entitled to its "place in the sun" with
Britain, France and other colonial powers.
The resulting diplomatic crisis prompted Britain to send its
fleet into the Mediterranean and Mussolini to threaten another world war.
In a betrayal as important as the one of Czechoslovakia later, Britain and
France sat on their hands as Fiat tanks rolled into the Ethiopian hills.
The Great Powers even offered Mussolini a deal to take half the country
(plus the means to gobble up the rest). Italian planes used mustard gas on
barefoot soldiers and bombed Red Cross hospitals. Thousands of black
Americans were ready to fight in a spirit of Pan-Africanism, but the US
State Department refused to grant them passports. And, amazingly, most of
us never learn about this war in school. Few histories of the conflict in
English remain in print.
What is still around, unfortunately, is Waugh's account, which
grew out of his time as a war correspondent for the right-wing Daily
Mail of London. From the beginning, the modern reader knows he's in
trouble. Waugh offers an apologist essay defending imperialism and a
distorted version of Ethiopian history. For him, the Italian soldiers at
Adwa were a courageous lot. In Thomas Pakenham's The Scramble for
Africa, however, reveals the Italian general in charge as an arrogant
incompetent who relied—just as Mussolini's generals did later—on black
Eritrean soldiers. Waugh calls Ethiopia "barbarous and xenophobic" and
claims "slavery and slave-holding were universal." In fact, Haile Selassie
was legally phasing out slavery at the time.
Some modern readers consider the book a witty commentary on the
practices of journalists, for Waugh paints his fellow reporters as a bunch
of liars and scoundrels. The facts demonstrate Waugh as one of those
liars. He argues in his book that the bombing of a Red Cross hospital at
Adwa on the eve of the war never happened. But there are eyewitness
accounts of people fleeing into the hospital, and the attack prompted
Haile Selassie to protest to the League. Since the bombing of other Red
Cross installations throughout the war is not in dispute, Waugh's account
is suspect. In a time when objective journalism was growing as a standard
practice, Waugh gave Italy an affidavit suggesting Ethiopians were abusing
the use of the Red Cross sign when he had no proof and the Red Cross
itself never made this claim.
A reader would get an altogether different picture of our
journalism critic if they knew him better. Waugh wrote to a friend that "I
have got to hate the ethiopians more each day goodness they are lousy & I
hope the organmen gas them to buggery." Waugh infuriated the actor David
Niven only a few years later by referring to the actor's black housekeeper
in her presence as "your native bearer."
The Ethiopians eventually lost, and Haile Selassie came to Geneva
to shame the League of Nations in a powerful speech. Waugh concludes his
account with idyllic scenes of road-building and Italian soldiers greeted
by Ethiopian children. The Italians "now found themselves faced with
opportunities and responsibilities vastly greater than their ambitions at
the beginning of the war... It was a severe test of morale and they stood
up to it in a way which should dispel any doubts which still survive of
the character of the new Italy."
The character of the new Italy was shown by Mussolini in May 1936
when he ordered that Selassie's administrators and foreign-educated class
be summarily shot by troops entering the capital. It was shown again in
1937 after an attempt to kill the Italian viceroy when Black Shirts went
on a rampage of murder and arson through Addis Ababa, slaughtering
thousands.
Waugh in Abyssinia remains a curious artifact of a bygone
age, and perhaps when we consider today's reportage on Africa, we
shouldn't be at all surprised it has somehow stayed in print. In my brief
time at an American TV network in London, I wrote a story on how Sierra
Leone's fighting was about diamonds, not tribal conflicts, which was the
knee-jerk initial theme of Western coverage. My producer scolded me
because the young video editor didn't bother to read the piece and simply
slapped in stock shots of fighting. I was somehow expected to anticipate
how he would match the copy. The producer told me in so many words he
didn't care why the Africans were fighting, pictures were king, and
I should just write that they were fighting. We haven't come too
far after all from Waugh's slanderous journalism—or portrayals of war-like
Africans who need the benefit of European civilization.